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    Copyright 2008-2018Slow Food Fast. All writing and images on this blog unless otherwise attributed or set in quotes are the sole property of Slow Food Fast. Please contact DebbieN via the comments form for permissions before reprinting or reproducing any of the material on this blog.

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Knives at Dawn: Bringing Heat to the Kitchen

"Knives at Dawn" by Andrew FriedmanSo much of TV-chefery these days has to do with blood sport that it’s inevitable someone would start covering cooking competitions by following underdog contestants as though they were Olympic figure skating hopefuls. And although it’s been done before, both on Top Chef and in many, many of the star chef bios of the past 5 years, Knives at Dawn by Andrew Friedman gives one of the most detailed personal and critical inside views yet of the strange pursuit of haute cuisine for haute cuisine’s sake. Part sports dramalogue, part Judgment of Paris, Knives at Dawn trails a handful of American chefs attempting to compete for one of the highest honors in European cooking.

The Bocuse d’Or is one of the most prestigious cook-offs in the world and garners contestants from all over Europe and a few of the US’s top restaurants. The costs of training run the price of a small house, and the US team has had no government or corporate sponsorship, unlike many of the European competitors.

Throughout three months of preparation which Thomas Keller and Daniel Boulud oversaw in 2008-9, a team (1 chef, Timothy Hollingsworth, and 1 commis or prep chef assistant, Adina Guest) from Keller’s French Laundry are coached to represent the US in Lyon. They have to cover the training and travel bills at their own expense, and continue working their day jobs for more of the time than their European opponents.

As Hollingsworth designs and revises his competition entries, suggested garnishes get more and more elaborate–sometimes without anything that’s likely to make them taste better. Onion tuiles. Things wrapped in Swiss chard leaves or carrot ribbons. Savoy cabbage as a “fun” garnish for beef cheeks (here I confess I pictured cafeteria kale as a “fun” accompaniment to the legendary dish, chair mystère–Mystery Meat). And lots of things made with mandoline-sliced potatoes crisped to perfection between silpats. In fact, the word perfection, followed by perfectionistic and culture of perfectionism, keep repeating throughout the section on Hollingsworth and Guest’s training period. It’s a bit unglamorous, to tell you the truth.

The exactitude of discussion over details like garnish, plating, and the like for one fish dish and one meat dish is the kind of technical overdose patter that puts people to sleep at any time other than the actual routine that will count for scoring. Something like the perennial Dick Button and whichever female commentator could be roped in to join him,  talking rinkside about the difference in a triple-lutz made by putting pressure on the inside versus the outside edges of the blade.

Comes the week of competition and things start to take on the frenetic tone of a typical Top Chef episode, but Friedman has a knack of lifting the description Continue reading

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